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Blade Runner 2049: A View of Post-Human Capitalism

01 Feb

How are capitalism and the prospect of post-humanity related? Usually it is posited that capitalism is (more) historical, and our humanity, inclusive of sexual difference, more basic, even ahistorical. However, what we are witnessing today is nothing less than an attempt to integrate the passage to post-humanity into capitalism. This is what the efforts of new billionaire gurus like Elon Musk are about; their prediction that capitalism “as we know it” is coming to an end refers to “human” capitalism, and the passage they talk about is the passage from  “human” to post-human capitalism. Blade Runner 2049 deals with this topic.

The first question to ask is: Why is the fact that two replicants (Deckard and Rachael) formed a sexual couple and created a human being in a human way, experienced as such a traumatic event, celebrated by some as a miracle and castigated by others as a threat? Is it about reproduction or about sex, i.e., about sexuality in its specific human form? The movie focuses exclusively on reproduction, again neglecting the big question: Can sexuality, deprived of its reproductive function, survive into the post-human era? The image of sexuality remains the standard one. The sexual act is shown from the male perspective, so that the flesh-and-blood android woman is reduced to the material support of the hologram fantasy-woman Joi created to serve the man: “she must overlap with an actual person’s body, so she is constantly slipping between the two identities, showing that the woman is the real divided subject, and the flesh and blood other just serves as a vehicle for the fantasy.“[1] The sex scene in the film is thus almost too directly “Lacanian” (in line with films like Her), ignoring authentic hetero-sexuality where the partner is not just a support for me to enact my fantasies but a real Other.[2] The movie also fails to explore the potentially antagonistic difference among androids themselves, that is, between the “real flesh” androids and an android whose body is just a 3D hologram projection. How does, in the sex scene, the flesh-and-blood android woman relate to being reduced to the material support of the male fantasy? Why doesn’t she resist and sabotage it?

http://thephilosophicalsalon.com/blade-runner-2049-a-view-of-post-human-capitalism/

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Posted by on February 1, 2018 in Uncategorized

 

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