“Fahrenheit 11/9,” the title of Michael Moore’s new film that opens today in theaters, is an obvious play on the title of his wildly profitable Bush-era “Fahrenheit 9/11,” but also a reference to the date of Donald J. Trump’s 2016 election victory. Despite that, Trump himself is a secondary figure in Moore’s film, which is far more focused on the far more relevant and interesting questions of what – and, critically, who – created the climate in which someone like Trump could occupy the Oval Office.
For that reason alone, Moore’s film is highly worthwhile regardless of where one falls on the political spectrum. The single most significant defect in U.S. political discourse is the monomaniacal focus on Trump himself, as though he is the cause – rather than the by-product and symptom – of decades-old systemic American pathologies.
Personalizing and isolating Trump as the principal, even singular, source of political evil is obfuscating and thus deceitful. By effect, if not design, it distracts the population’s attention away from the actual architects of their plight.